[English below]

MAE ORIEL CANFAS ABERTEIFI A TEN CAERDYDD YN UNO AR GYFER DIWRNOD RHYNGWLADOL Y MERCHED GYDA ‘OLION BYWYD • LIFE LINES’ — DATHLIAD TYNER O FENYWOD CYMRU TRWY BORTREADAU GAN YR ARTIST NODEDIG ANNIE MORGAN SUGANAMI

I nodi Diwrnod Rhyngwladol y Merched 2026, mae Oriel Canfas Aberteifi a TEN Caerdydd yn dod at ei gilydd mewn cydweithrediad rhyfeddol i gyflwyno ‘Olion Bywyd • Life Lines’ - arddangosfa ymweld gan yr artist Annie Morgan Suganami sy’n anrhydeddu gwydnwch, hiwmor a chryfder tawel menywod Cymru, wedi'i churadu gan Cat Gardiner o TEN.

‘Mae’n amseri perffaith i ehangu cyrhaeddiad y corff gwaith rhyfeddol hwn gan Suganami - roedd yn boblogaidd gydag ymwelwyr yr oriel pan gafodd ei ddangos gyntaf, ac yn waith celf mor bwysig a chwyldroadol. Bydd portreadau newydd yn cael eu cynnwys yn yr ail fersiwn hon - ychwanegiadau pellach i griw hoffus Suganami. Pleser pur yw cydweithio ar yr arddangosfa yma - partneriaeth sy’n deillio o argyhoeddiad a rennir rhwng Canfas a TEN o rôl orielau mewn cefnogi'r celfyddydau ac artistiaid ein gwald,” meddai Cat Gardiner o TEN.

Wedi'u gwreiddio yn y gred y gall celf roi llais i'r rhai sy'n aml yn cael eu hanghofio, mae'r ddwy oriel yn uno eu rhaglenni ar gyfer Diwrnod Rhyngwladol y Merched i anrhydeddu menywod - nid yn unig fel pynciau, ond fel adroddwyr straeon, angorau a thystion i'w hoes.

Mae pob un o’r gwragedd yn ganolbwynt y llun, yn sitters clasurol sydd yn eistedd i gael eu paentio a’u cofnodi - a’u cofio. Mae ambell awgrym o wisg traddodiadol yma - y siôl, yn frethyn streipiog neu ffedog. Ond yn y croen mae manyldeb cain y paentio, gyda’r wyneb a’r dwylo yn y gôl yn tynnu’r sylw.

Does dim cuddio yma, dim harddu di-angen, dim botox na’i gyffelyb ond yn hytrach y  corff a’i osgo naturiol, onest. Gwelwn hanes a phrofiad bywyd yn y croen â’i marciau a’i chrychau - tystiolaeth o oes o garu a galar, o boeni a chwerthin, o gario, gofalu a gwneud. Dyma wragedd sydd wedi byw, â braint y blynyddoedd hir wedi’u selio yn y croen meddal.

Mae paentiadau cyfoethog, llifeiriol Suganami yn dangos sgìl hyderus ei brwsh. Ail-weithir y paent dro ar ôl tro, gyda haenau yn cael eu hadeiladu, eu rhwbio’n ôl a’u ail-adeiladu drachefn, cyn eu coroni ag amlinelliadau cryf a fflachiadau neon. Gyda un llinell medrus y brwsh daw ysgwydd blows, plyg llawes a bron drom i’r golwg. Mae’r rhwyddineb y mae Suganami yn defnyddio’i chyfrwng yn golygu nad yw ei phynciau yn anystwyth a ffurfiol ond yn hytrach yn fywiog a deinamig. Mae’r cyfuno o fanyldeb praff ochr yn ochr â marciau bras o fewn un paentiad yn cynnig amrywiaeth o bwyntiau diddorol i’r llygad. Wrth i gyfanswm y cyfuniad yma amwyrio o un llun i’r llall, ychwanega hyn at bersonoliaethau gwahanol y gwragedd i gyd.

Un o lwyddiannau’r gyfres hwn yw’r tynerwch, yr hiwmor a’r cariad aruthrol a ddangosir at yr eisteddwyr – fel petaent yn cynrychioli’r holl wragedd oedrannus a gafodd effaith dawel ar y cenedlaethau a ddilynodd. Y matriarchiaid hynny - yn ganolog i fywyd teuluol, wedi’u hesgeuluso gan gymdeithas - yn deilwng o gael eu hymgorffori mewn paent.

•

CANFAS GALLERY CARDIGAN AND TEN CARDIFF UNITE FOR INTERNATIONAL WOMEN’S DAY WITH ‘OLION BYWYD • LIFE LINES’ — A TENDER CELEBRATION OF WELSH WOMEN THROUGH PORTRAITURE BY RENOWNED WELSH ARTIST ANNIE MORGAN SUGANAMI

To mark International Women’s Day 2026, Oriel Canfas Cardigan and TEN Cardiff are coming together in an extraordinary collaboration to present ‘Olion Bywyd • Life Lines’ - a visiting exhibition by artist Annie Morgan Suganami that honours the resilience, humour, and quiet strength of Welsh women, curated by Gallery TEN’s Cat Gardiner.

“It makes perfect senes to expand the reach of this extraordinary body of work by Suganami - it was a hit with gallery visitors when first shown, and such important and revolutionary artwork. New portraits will be included in this second iteration - further additions to Suganami's lovable crew. It's a real pleasure to collaborate on this exhibition - a partnership that stems from a shared conviction between Canfas and TEN that galleries exist to support the arts and to uplift the artists of our country,” says TEN’s Cat Gardiner.

Rooted in the belief that art can give voice to those so often left unseen, the two galleries unite their programmes for International Women’s Day to honour women not only as subjects, but as storytellers, anchors, and witnesses to their times.

All of Suganami’s subjects are placed at the centre of the painting, as is customary in classical portraiture, where the sitter is in the spotlight, to be painted and recorded - and remembered. There are a few hints of traditional dress - the shawl, a striped cloth or an apron, but the fine detail of the painting is in the skin, with the faces and hands in laps drawing attention.

There is no hiding here, no unnecessary beautification, no botox and its like. What we see is the real, honest and natural attitude of the body. We see history and experience of life in the skin with its marks and wrinkles - evidence of a lifetime of love and grief, of worry and laughter, of carrying, caring and doing. These are women who have lived, with the privilege of long years sealed in the soft skin.

Suganami's rich, flowing paintings demonstrate the confident skill of her brush. The paint is reworked again and again, with layers built up, rubbed back and rebuilt again, before being accented with strong outlines and neon flashes. With one skilful line of the brush, the shoulder of a blouse, a sleeve fold and a heavy bosom come into view. The ease with which Suganami uses her medium means that her subjects are not stiff and formal but rather lively and dynamic. The combination of fine detail alongside loose and immediate markings within one painting offers various points of interest for the eye. As the use of this combination varies from one painting to another, it further highlights the different personalities of the sitters.

One of the successes of this body of work is the tremendous tenderness, humour and love shown to the sitters - as if representing all the elderly women who made a quiet impact on the generations who followed. Those matriarchs - central to family life, overlooked by society - rightfully embodied in paint.

‘Ni allaf ddychmygu fy mywyd heb allu gwneud paentiadau o bobl.

Ers i mi ddechrau peintio pobl, boed o arsylwi neu’n ddychmygol, rwyf bob amser yn peintio cymeriadau sy'n dangos dyfalbarhad, dycnwch, gonestrwydd a charedigrwydd. Nhw yw fy eiconau personol o ddygnwch yn y cyfnod cynyddol ansicr hwn

•

I cannot imagine my life without being able to make paintings of people.

Since I first started painting people, whether from observation or imagined, I have always and continue to paint characters that emanate perseverance, tenacity, honesty and kindness. They are my personal icons of endurance in these increasingly uncertain times’ - Annie Morgan Suganami

This is an collaborative off-site exhibition at Canfas, Manchester House, Abertiefi, SA43 1HY 

info@canfas.co.uk

01239 614344

Artworks can be purchased via Canfas - contact Oriel Canfas here .