hansaviertel, 2017acrylic on canvas190 x 300cmprice on application

SUSAN PHILLIPS

Mae gan weithiau Susan Phillips allu diddorol i ddefnyddio ffurfiau syml i archwilio sail canfyddiad ac ysgogi ymdeimlad o botensial a posibilrwydd.

Mae gan weithiau Susan Phillips allu diddorol i ddefnyddio ffurfiau syml i archwilio sail canfyddiad ac ysgogi ymdeimlad o botensial a phosibilrwydd. Yn ei hymchwiliadau, mae hi'n pwysleisio ailddyfeisio a newid, yn hytrach na chanlyniadau sefydlog, concrit. Yn hyn o beth, mae hi'n cadarnhau'r bardd a'r beirniad celf o Frasil, Ferreira Gullar, yn ei amddiffyniad o gelfyddyd a welai siâp, gofod a lliwiau fel "nid [yn perthyn] i'r iaith artistig hon neu'r iaith honno, ond i brofiad byw ac amhenodol dyn".
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Susan Phillips' works have an intriguing capacity of employing simple forms to examine the very grounds of perception and evoke a sense of potential + possibility.

Susan Phillips’ works have an intriguing capacity of employing simple forms to examine the very grounds of perception and evoke a sense of potential and possibility. In her investigations, she emphasizes reinvention and change, rather than fixed, concrete results. In this respect, she corroborates Brazilian poet and art critic Ferreira Gullar in his defence of an art which saw shape, space and colours as “not [belonging] to this or that artistic language, but to the living and indeterminate experience of man”

GWEITHIAU CELF • ARTWORKS

Influence of structures | TEN. | The Coach house | Cardiff

Online article in the international design magazine Yinjispace

Works included in new book “Negative Space - Trajectories of Sculpture in the 20th and 21st Centuries.”